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Posts Tagged ‘John Markoff’

Things Publishers Fear: #5 ~ Authors

Wednesday, May 5th, 2010

Writing
Creative Commons License photo credit: alancleaver_2000

About This Series
Things Publishers Fear is an occasional series about the realities of publishing in the modern era. For the record, survival is not guaranteed, nor is it always deserved.


Authors

I wrote the bulk of this article across on my personal blog, but it warrants a full exploration here on Green Lamp Media. You might wonder why publishers could fear authors, the life blood of their business? Let me explain the reasons.

Currently the bulk of authors are in a fairly powerless position relative to publishers. Publishers have money, access and publishing slots. Publishers finance the editorial and production work that goes into a book and have the relationships that ensure distribution, advertising and shelf space. This has been changing rapidly over the last few years.

One way it has been changing is self-inflicted, publishers shedding costs by shedding editors (and, some would argue, quality as they do it). But the other more visible way it is changing is in economic terms as the cost of making a text widely available drops very close to zero via effective digital publishing.

Why should you sell a paper publisher your digital rights when there is no need?

In 2006 when I was only starting to think clearly about digital change (and had only been writing a blog for some 4 months) I wrote a post called Authors Will Drive Change, it was part of a short series of articles on what was changing the publishing industry.

The point is that publishing is no longer just about books and even more it is no longer about waiting for a publisher to decide your work is good enough for print. Options abound and as more and more writers realise that they will take advantage of it.

E-books will push this change even more. There is no reason why authors’ royalties should be the same on e-books as they are for paper books and in many ways there is no reason why the authors cannot sell e-books themselves rather than through a publisher. Why should you sell a paper publisher your digital rights when there is no need?

What I didn’t address back then and what has become clearer now, is how established authors will also drive change and in doing so, make a much bigger impact. After all, if ebooks begin to account for 20-30% of the market (or more) and of that major authors generate the lions share of sales then their departure from your lists will make a huge dent in revenues.

But even authors with moderate (still impressive but not BLOCKBUSTER) sales can see the benefit of direct sales and cutting the publisher out. The most recent example of this is JA Konrath who writes The Newbies Guide To Publishing blog. He has been posting for some time now about his rather impressive success in selling books via Amazon’s Kindle device:

In short, this market is perfect for a one-person operation.

I’d certainly entertain an offer from a large publisher, if they wanted to buy rights for one of my books. But I’m not going to go out looking for the opportunity. Especially since I’ll make more money in the long run if I keep my rights.

I could even make more money in the short run.

According to my recent royalty statement, my horror novel AFRAID sold about 54,000 copies in all formats, earning me around $27k.

If I released a Jack Kilborn ebook on my own, and it sold like my current ebooks are selling, I’d make $20k in a year.

It’s doubtful I’ll make $17K next year on AFRAID, since it’s no longer getting coop on bookstore shelves. But I’m sure I’d make $20k, or more, on a self-pubbed ebook.

So in two years I can make more money on my own on a self-pubbed ebook than a book released by a major publisher in hardcover, trade paper, paperback, and ebook formats, supported by a tour and advertising.

Unless it’s a big offer, I can’t imagine selling rights to my work ever again…

And There Is More
The IDPF released the figures for February ebook sales. They are pretty stunning. I’ve written elsewhere about my skepticism regarding ebooks and the industry’s obsession with price and a single format, but when one sees figures like this, it is almost understandable that they get excited and distracted by them.

Mike Shatzkin writes about what this seemingly rapid shift towards digital means for the print side of the business and it is an interesting perspective:

If by the end of 2012, 25% of sales for a new book are digital, then about half of new book sales will be made through online purchases if we count the print book sales made through online retailers (mostly Amazon.)

Online print sales can be served through inventory generated on demand. So, if these estimates are right, we are less than three years away from a publisher (or author) being able to reach half the market for a book without inventory risk!

Having half the market reachable without print-run risk or inventory storage; having half the customers connecting with their reading through online paths that make them at least theoretically identifiable; and having a quarter of those customers reading through a medium that enables interactivity will make all the changes we’ve seen so far in trade publishing appear trivial. And if the very perspicacious Carolyn Reidy, her unnamed counterpart, and I are right, that disruption is going to take place before many books now under contract reach their publication date.

Personally I caution about moving from current trends towards future results. I’m unsure if the sales will continue at their current level never mind continue to explode in such an impressive fashion. However, even if we allow that Mike and the trends are half right and we see say 33% or 40% of the market reachable via no-risk required methods by 2012, then the savvy authors like JA Konrath will see little reason to work with a publisher at all. Why, if they don’t require the finance that is one of a publishers strongest assets, would they?

as the market becomes more digitally biased, the greater the risk that lead and mid-list authors see first the advantage of retaining their own digital rights

This is not to say that publishers don’t offer more than finance, they do and in abundance, but for some authors, the skill set that publishers offer is affordable and at a more reasonable cut than they currently allow publishers to keep.

In my view, as the market becomes more digitally biased, the greater the risk that lead and mid-list authors see first the advantage of retaining their own digital rights, then later the advantage of retaining all rights and exploiting them for themselves.

The future, for all that it offers great promise to authors and thus they WILL drive change, may not offer such great promise for publishers and certainly not as they currently exist and hence why publishers fear Authors!

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Whither Publishing In The Twenty Teens?

Tuesday, January 19th, 2010


“It doesn’t matter how good or bad the product is, the fact is that people don’t read anymore,” he said. “Forty percent of the people in the U.S. read one book or less last year. The whole conception is flawed at the top because people don’t read anymore.” Steve Jobs in interview with David Pogue & John Markoff of the New York Times


Maybe it’s the slew of prediction posts and the ease with which one can now review them over at George’s blog, but whatever the cause, I have been thinking about publishing, what it is, why we do it and how it has changed and how it will change over the next decade or so. Mostly that is because I plan to stay in the industry and function as a publisher, but also because I’d like to have a sense of where we are headed so I can help authors and publishers adapt to the flow of change.

The Platform
If I was to put the question in context for people I would quote the following from Paul Saffo (who is, by any analysis, a genius):

Rule: Change is never linear. Our expectations are linear, but new technologies come in “S” curves, so we routinely overestimate short-term change and underestimate long-term change. “Never mistake a clear view for a short distance.” From the Long Now Seminar: “Embracing Uncertainty: the secret to effective forecasting

Why do I quote that piece? Because people have become so used to the power of the internet and the world wide web that they tend to see it as an innovation whose impact has happened and is already understood. I think most people are wrong. The Internet IS the platform and we are still struggling to accommodate the long term implications of that.

With the proviso that access is neither free (though it is cheap as in beer) nor, for many in the world, easy (but getting easier as mobile internet spreads with mobile technology an associated and fascinating technology), the internet has made publishers out of everyone on the planet.

The means of publication and distribution have been opened up to many, many millions. Digital printing has been slowly but surely reducing the barriers to print publishing and the impact of that has been felt mostly at the bottom of the publishing ladder as self publishers flourish and wither, succeed and fail not always because of merit or flaws but with impressive determination and in large numbers. But digital PUBLISHING, using the Internet as the platform, this is quite a revolutionary thing.

It is my view that all the efforts by various parties to create ebook readers that part the reader from their hard earned cash and set up some variant of the iPod/iTunes power punch for books, are hopelessly misplaced.

Why re-create the wheel? The challange is not to invent the future (it’s here) the challenge is to make it pay and as to that, I spotted a great description of where we are over on David Worlock’s blog (another very smart man, who I have seen speak previously but never realised he has a blog) last week and I think it offers a clear vision:

We are working within a new continuum, every technology we will use in the next 15 years has already been invented and patented, and what remains to be seen is only the way in which consumers react to which combinations of hardware/software/content to solve which problems in what contexts. And nothing is lost by experimentation.

What This Means For Us?
This reality though has several disconcerting elements:

    1) Value is flowing out of traditional print cash-cows as the economics of those markets change. This is especially clear to newspaper publishers, magazine publishers and to hardback imprints. I suspect that paperback imprints will begin to feel the pressure from the web much more keenly in 2010-2011. This will happen as more heavy book buyers begin to engage with web reading driven as they will be by more mobile access (especially when Google Editions launches) and better, more compelling offers from technology companies and publishers.

    2) Total value is spreading across a lot more players. In some cases this is driving revenue per unit towards zero as competition drives down the value of each individual piece of information or content. As players with little hope of getting paid anyway charge little or nothing for their content, the overall value of the market is reduced.

    3) The emerging supply chain structure does not favour content oriented companies who do not have scale and efficient ways of delivering that content cost-effectively or a specialist niche that makes their content more valuable. If you are not one of the newly emerging content power houses like Demand Media (Some thoughts on demand: PoynterReadWriteWebWired) unless you don’t charge the economic cost of your content, in which case you are lifestyle business, or your content has another purpose than making you money directly. On the other hand, there is no new normal and the supply chain will surely be a web rather than a chain, with room for all kinds of innovative structures.

    4) As the volume of content explodes, the average quality drops. This seems to me incontestable, if only because many people are not good writers and many more are only mediocre at best. I do not exclude myself from these groups. This will provide opportunity.

    5) Most people will not make money from content.

Do I Have Any Predictions?
A few but they are not confined to 2010:

    1) Ultimately ebooks and ereaders will fail in favour of access to content paid or free over the internet, perhaps through apps on multi-use devices. That content will be text, graphics, video, audio, games and maybe new formats I’ve never even thought of it, won’t really matter, what will matter is what the customer wants to spend their attention (and possibly money) on.

    2) At some point, ISPs will be forced to share more of the money they are making in the back of all this content with the content producers, just like they have been forced to by ESPN (Wired story). It amazes me that they have escaped this for so long.

    3) Quality and curation will deliver rewards (so firing editors may be self-defeating) in the long-term, if you survive the shakeout. Given the proliferation of poorly written/created content, acknowledged quality will be a valuable feature as will good filtering capabilities (as we can already see).

    4) Survival is by no means certain for publishers, because the system does not EXPLICITLY need us to operate, we need to create a new ecosphere or at the very least a new reason for existing. I don’t think this is impossible. For an interesting analysis of how supply chains change and adapt read this article by Paul Saffo.

    5) Big authors and small authors will become vibrant self-publishers in digital and print, the middle ranks of writers will suffer frustration and pain as they exceed small ambitions only to have their larger dreams dashed on the mountain of content and the inability to scale it (I say writers but I believe this will be true of everyone who creates content of any type).

This may seem gloomy, and perhaps it is, but facing the facts of the digital revolution in the face put you in a better position to think strategically about how to react and how to change. Failure to change has only one outcome and I don’t believe that extinction would be to my liking.


Eoin


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